jalopy jones

poetry, art… and music, by jalopy jones

  • #7

  • i know no-one is going to read this, i know i’m just talking to myself, and that’s ok, that is probable the only person i need to say this to anyway.

    many years ago i played music, i used to love it, and i have idea why i stopped playing, but i did. i just started playing again recently, basically staring over from scratch… and i’m loving every minute of it.

    i’m still shaking off many years of rust, my chops are no where near what they used to be, but that’s ok, i will get there again.

    i’ve been a poet for many years now, and the world of poetry has not been very kind to me. my ideas are too strange i guess. i have struggled with my mental health the last few years, and i have tried to use poetry to find some kind of community where i fit it, and that has failed. finding my place in the world of internet poetry has been a soul crushing experience, and think i’n done with that now.

    for the last year, i have contemplated suicide, the loneliness has become too much, my anxiety and depression have overwhelmed me, i am dying inside myself. i have self-destructed so many times this last year, i’ve lost count of every meltdown.

    but music is saving me, i can feel it. whether i share it or not does not matter, just playing is saving me… i’m a born-again blues man!

    eventually, i will get good enough to play with other musicians again, and i am looking forward to that. i will always love reading poetry (beat poetry and spoken word in particular) and i’m not sure if i will maintain this blog or not (the blogosphere is a very cold and empty world) but right now, i hear a git-fiddle calling my name…

  • 3 rejected poems

    these three poems have now been rejected by four different journals, so, one last posting here, and then i set them on fire and dance on their graves.

    thinking about the thinker

    he had an aneurysm
    right there on the steps of the museum
    a crash landing of sorts
    between greek myth and nuclear physics

    i heard a sharp pop, like a small caliber gunshot
    witnesses were concerned
    and then not concerned

    some say his heart was made of styrofoam
    others say a pearl, all clammed up

    some say he’s a fake, imitation of humanity
    hired by some egg-head committee
    to pose superior, ponder a footstep
    but never journey
    pretend a few heartbeats
    just a hollow shell, knock but no one answers

    sometimes magpies perch on his shoulder
    whisper in his ear
    secrets are safe here
    only gods and fools and small ugly birds talk to rocks

    as a young man
    we sang sex pistol songs together
    while waiting for the bus
    we shared a sandwich and a migraine
    watched lithe and determined young women float by
    imagined them dazzled and bewildered and naked
    in the arms of our dangerous poems

    he’s not stoned, just socially awkward
    and a little homesick
    for secret islands of nowhere
    somewhere
    between stonehenge and silicon valley

    i don’t know his name
    perhaps it is chuck, or steve, or lorenzo
    a pisces and a winter
    a governor of renaissance, a generation x stacker
    bus driver of hell’s ghetto and god’s favorite jester
    philosopher and ice cream vender, inventor of fever-dreams
    patron saint of daydreams, old wounded warrior
    veteran of multi-colored revolution, feet scarred mile markers
    his mind tattooed in blue lightning, and i was there when it happened

    the aneurysm, right there on that pedestal
    witnesses will tell you, i tried to save him
    but i couldn’t wake him
    perhaps little ugly little birds can breathe life back into him
    fill him up with earth-babble-dream-nectar
    the nonsense of life
    the wonder




    road trip

    we can travel together
    kick back in the lap of a classic chevy ragtop
    engine block roaring bold existence
    soaring down huckleberry highways
    the eyes of god spinning
    and every loose strand of your ponytail
    painting the desert blonde

    we’ll hunt down all the blind spots
    eyes too wide to have corners, we’ll find all the stuff
    maps forget, scrap metal landmarks
    lost truck stop civilizations, the grand madness of utah

    we’ll decorate the dashboard like noah’s ark
    with your collection of plastic pez dispensers
    mickey mouse and donald duck, batman and mario
    care bears, mermaids and yoda
    i’ll laugh at your cheap toys, you’ll make fun of my ugly hat

    we can bum-rush a million sideroads
    or linger too long in time traveling roadside restaurants
    jukebox juiced, shuffling dozens of yesterdays
    eat hotdogs and watermelon in a winnemucca parking lot
    pour bottled water over a broken radiator
    in arizona heat waves

    you can make a map
    of cloud formations, i’ll navigate the radio
    we can kill the static with philosophical gibberish
    or sing along with hillbilly fiddles
    scratching out lazy love songs

    we’ll take shelter
    in each other, and motel rooms too ugly for human words
    take epic naps and ruin most of our clothes
    in a piece of crap laundromat

    we can witness the heartbeats of alien cities
    i’ll admit I’m lost, and you can lead me
    thru santa fe streets, explore the festival of summer
    mingle in the heat of human nature, make totem poles out of
    total strangers, drink the local wine and tell modern tales
    of exodus and diaspora

    we’ll pose like stay dogs
    in tourist trap photographs, you all ragdoll beautiful
    me in my ugly hat

    we’ll merge in and out of uhaul caravans
    in grapes of wrath formation
    across the four dimensions of america
    black and white and asphalt gray
    you can crash in the backseat, paint your toenails
    whatever color you want

    we can vanish into blue mountains
    the way all good expeditions do
    a gospel of impulse
    nothing but myth
    and a trail of sunflower seeds






    bowl of soup

    “clear view
    In the soup kettle…
    The milky way”

    issa (priest cup-of-tea of haiku temple)


    first, the rice goes into the soup
    then the fish
    carrots, mushrooms, leeks
    he stirs it with a stick

    and the song that he sings, wordless and off key
    goes into the soup
    and the smoke of the fire, bits of drifting ash
    whatever the wind brings along
    wandering raindrops
    the dust of earth and herb from a thousand plowed fields
    into the soup

    mountains crumble in his mind
    become loose boulders rolling
    become round and smooth and wise
    some grind down to dust and wait for the next mountain to rise
    some travel the valley
    seventeen perfect pebbles roll within reach
    go into the soup

    the last drops of saki and a thread from his shirt, into the soup

    he adds the vanishing memory of youth
    all the leftover laughter of summer festival
    drunk friends
    all the footsteps that stumble
    dew drops
    nightingales
    lonely cricket
    into the soup and stirred with a stick

    the spirits of scarecrow and firefly
    the stars and the moon surrender to his gravity
    fall into the soup

    soup becomes universe
    alive

    he sits on the ground
    (poet - highway - fire - soup)

    he holds the bowl with both hands and takes little sips
    the soup is hot
  • hollywood ending

    “that’s right, i’m just a lefthanded step-monkey”



    hollywood ending


    once upon a time
    there was an original idea in hollywood
    but it was a lonely soul
    had no friends
    it struggled to seen, struggled to be heard
    as the accountants and investors always said no
    (not lcd)
    so it killed itself in a paper shredder
    no one knows when or where and no one really cares
    but tonight
    we can watch the sequel

    “the transendental cannibals”

    a timelessly timeful film noir of space-age rom-com horror
    or some such thing
    it’s about this hollywood executive, who can’t boil water or cook salad, but he gets hungry, so he eats his feet, and then his legs, and then his own heart, then, slowly, turns to the camera, with a tear in his eye, and a quivering lip
    and says
    “dude... where’s my car?”

    classic

    its a movie camera pointed at a movie screen
    with nothing inbetween
    nothing (in focus)
    its a picture inside a picture inside a picture inside a picture
    ad infinitum
    and oscar nominated for best picture within a picture (within a picture)(within a picture)((ad infinitum))(((plus sales tax)))

    as the producers push it out the door and the actors do the celebrity tour, and the prom queens on the morning show sell it
    but can’t spell it, and mattel makes the toys and tacobell serves it on a plastic tray
    with plastic food

    and so it goes
    and hollywood burns itself down
    and no one knows exactly how the lights will burn out
    (and frankly, my friend, i don’t give a fuck)
    but tonight
    we can watch the prequel
  • outsider

    outsider




  • warning! these true stories are based on loose lips, unshaved characters
    scripture translated from crop circles, fast food menus
    and all the stuff stuck to the bottom of my shoe

    true story, every time i buy new shoes i have to learn to walk again
    giggle and gimbal, stumble over curbs, each foot a conjoined stranger
    the fun never ends
    until it ends
    flatfooted again

    true story, i have no use for politicians, but that’s not true
    sometimes i run out of toilet paper
    true story, i’m not running for mayor of truth-town, i’m not managing
    a health food store, i don’t sleep inside a fortune cookie
    true story i see two moons tonight
    one in the sky and one in the lake
    and drunk enough to swim for it

    true story, a man and a woman holding hands in a deli
    pretending they’re not going to devour each other
    true story, i wrote a dozen emails, all in my head, which has no wi-fi
    so you probably didn’t get them
    true story, i took the last trash bag from the box
    and put the box in the bag
    true story, i only sleep in pictures of beds

    final warning! all these warnings may be hazardous
    to the osmosis of spontaneous true story
    true story, all these warnings were translated from chinese toaster oven safety labels with an industry standard garage sale ouija board
    (caution! plug securely or power cord be detached in set
    else crisscross wires, fix with fork and feel emergency
    call god immediately, also, avoid soft drinks)

    but let us not be warned
    let immortal monkey gods deliver us onto random doorsteps
    let us midnight snack a greasy half-burnt sunset, last supper of summer
    let us creature around in secret vehicles under a suicide of blue sky
    let us go all weather, all together
    and forget to do our laundry
  • the electric guitar is the greatest steampunk contraption ever invented. i mean seriously, just look at it, have you ever seen anything so sexy? and they sound just as sexy as they look.

    no two of these contraptions will ever sound the same, even identical models made in the same factory. every construction material affects the sound character. from the mahogany of the body to the maple of the neck to the rosewood of the fretboard. and every good carpenter knows no two pieces of wood are the same. even the paint and glossy finish affect the sound.

    then, when you add a human being to the mix… wow. when you pick up a guitar and play it, you become part of the materials, your physical body. the sound energy moves thru you, the way you hold the pick (if you even use one) the way you finger each fret. everything is a factor. this device turns music and electricity and humanity into magic.

    yes indeed, greatest steampunk invention ever.

    pictured above is my schecter diamond series “half-breed” (a schecter demon neck bolted onto a schecter omen body)

    this song – poem – thingy is called “neighborly”

  • so this is my second official demo, and i think i’m getting better at this.

    i recorded all of the parts on thrusday, and arranged and mixed it all today. i am using only instruments i find in pawnshops:

    the swingster i got for 350, and i playing it thru a marshall amp i got for 170. the ibanez gio bass was 120 and i’m playing it thru a fender rumble 25 bass amp i got for 60. the keyboard i got for 70 dollars, its so cheesy, i love it! and i play it thru a gorilla 35 bass amp that came with the swingster

    i mic the amps into a 7 channel board and then into my computer and process it with free shareware called audacity

    i wanted my guitar to sound like freddie king’s on his 1971 album “getting ready” i love that sound. i like punk and blues, i like buddy guy and rl burnside and that sort of thing, so i try to play like that in this. the swingster is perfect for that, to play it right you have to kind of pick a fight with it.

    anyway– thursday afternoon groove (instrumental) demo

  • i have been hiding from the world for the last several months (i do that sometimes) hiding, planning, plotting and scheming. and what exactly have i been scheming? evil, pure evil… going down to the crossroads evil. that’s right, i went down to the crossroads, with an axe to grind, and here it is:

    perhaps “evil” is the wrong word. perhaps “good natured mischief” are the words i’m looking for. and when i say crossroads, i mean the pawnshop on the corner mississippi and peoria.

    i’m creating music to go with my spoken word poetry. this is something that i’ve wanted to do for a while now, and i’m only using instruments and gear that i find in pawnshops. i’m only using instruments that are orphaned and broken and lonely and need healing… like me. (pictured above is my epiphone swingster, my go-to git-fiddle, it has bad intonation and won’t stay in tune… like me)

    this is all part of an artistic idea that i call “jalopyism” that i have been cultivating for many years now. if poetry is a vehicle of expression, then all of my vehicles are made from spare parts and repurposed materials, held together with nothing but spit, dirt, and duct tape, and just barely functional… like me. that’s the idea anyway.

    when i was a teenager, i was a musician, i played guitar and bass (and some keyboards too i guess) i played in some garage bands, some punk bands, and even got to sit in with a jazz group a few times. i thought learning to play again would be like riding a bike, turns out it’s been more like riding a bull… i’ve gotten thrown off a few times, and i still have lots of work to do.

    anyway, this is my first spoken word with music demo, it’s far from fantastic, but proof of concept, and i’m excited about all the possibilities (not only am i relearning my instruments, but learning how to use all this recording equipment and software… ready wish we had this kind of tech when i was kid! this stuff is awesome!)

    this is called “seven dogs”





  • i sat in a beautiful wasteland
    (ghostly and shadowed and burnt)
    next to a wasting river
    (waiting to hear the whimper)
    eating my morning porridge
    with my good friend joe
    (he is wise and i am dumb
    so i ask many questions)

    and i say, "hey joe
    if a venus flytrap eats another venus flytrap
    does that make it cannibal
    or vegan?"

    and he said
    "the ant and the anteater
    play scrabble on tuesdays"

    and then i said
    "should i buy stock in general motors
    forty a share and a one percent dividend
    or should i buy a motorcycle
    and ride it into the ocean?"

    and he said
    "to hell with plato
    and the socrates he rode in on"

    and then i said
    "in pompeii
    the citizens ran from total destruction
    but smothered in hot lava
    became fossils forever
    today
    we run straight into the flames
    and take selfies
    but who is more immortal?"

    and joe said
    "three wild horses
    divided
    by two fences"

    and then i said
    "poets priests and politicians
    magicians and morticians and computer technicians
    all love to play the guessing game
    but will we ever understand the meaning of it all?"

    and he said
    "not with a million monkey typewriters"

    and then i said
    "master joe shoe
    how come you only wear one shoe?"

    and he said
    "cause i wear it like a hat"

    and then i said
    "but none of this makes any goddamn sense!"

    and master joe said
    the painter paints a tree wherever he thinks a tree should be
    the poet makes shade from the shady things in his head
    the dancer spins around in the shade of imaginary things
    fluttering like leaves
    breeze or no breeze
    together they drink fourteen drums of lollipop rum
    play spanish guitar in back seat of a broke-down get-away car
    with their eyes to the skies
    believing each star a dream, a reality, a hope and a tragedy
    gravity or no gravity

    and with a wink and a smile he rose to his feet
    and walked to the edge of the never-ending river
    to wash his bowl

    i follow





    poem notes: this poem is loosely based (very loosely) on the sayings of chinese zen master chao-chou (also known as master joshu) also, in japanese, the term “joshu” means teacher or guide.