#7
poetry, art… and music, by jalopy jones
i know no-one is going to read this, i know i’m just talking to myself, and that’s ok, that is probable the only person i need to say this to anyway.
many years ago i played music, i used to love it, and i have idea why i stopped playing, but i did. i just started playing again recently, basically staring over from scratch… and i’m loving every minute of it.
i’m still shaking off many years of rust, my chops are no where near what they used to be, but that’s ok, i will get there again.
i’ve been a poet for many years now, and the world of poetry has not been very kind to me. my ideas are too strange i guess. i have struggled with my mental health the last few years, and i have tried to use poetry to find some kind of community where i fit it, and that has failed. finding my place in the world of internet poetry has been a soul crushing experience, and think i’n done with that now.
for the last year, i have contemplated suicide, the loneliness has become too much, my anxiety and depression have overwhelmed me, i am dying inside myself. i have self-destructed so many times this last year, i’ve lost count of every meltdown.
but music is saving me, i can feel it. whether i share it or not does not matter, just playing is saving me… i’m a born-again blues man!
eventually, i will get good enough to play with other musicians again, and i am looking forward to that. i will always love reading poetry (beat poetry and spoken word in particular) and i’m not sure if i will maintain this blog or not (the blogosphere is a very cold and empty world) but right now, i hear a git-fiddle calling my name…
these three poems have now been rejected by four different journals, so, one last posting here, and then i set them on fire and dance on their graves.
thinking about the thinker
he had an aneurysm
right there on the steps of the museum
a crash landing of sorts
between greek myth and nuclear physics
i heard a sharp pop, like a small caliber gunshot
witnesses were concerned
and then not concerned
some say his heart was made of styrofoam
others say a pearl, all clammed up
some say he’s a fake, imitation of humanity
hired by some egg-head committee
to pose superior, ponder a footstep
but never journey
pretend a few heartbeats
just a hollow shell, knock but no one answers
sometimes magpies perch on his shoulder
whisper in his ear
secrets are safe here
only gods and fools and small ugly birds talk to rocks
as a young man
we sang sex pistol songs together
while waiting for the bus
we shared a sandwich and a migraine
watched lithe and determined young women float by
imagined them dazzled and bewildered and naked
in the arms of our dangerous poems
he’s not stoned, just socially awkward
and a little homesick
for secret islands of nowhere
somewhere
between stonehenge and silicon valley
i don’t know his name
perhaps it is chuck, or steve, or lorenzo
a pisces and a winter
a governor of renaissance, a generation x stacker
bus driver of hell’s ghetto and god’s favorite jester
philosopher and ice cream vender, inventor of fever-dreams
patron saint of daydreams, old wounded warrior
veteran of multi-colored revolution, feet scarred mile markers
his mind tattooed in blue lightning, and i was there when it happened
the aneurysm, right there on that pedestal
witnesses will tell you, i tried to save him
but i couldn’t wake him
perhaps little ugly little birds can breathe life back into him
fill him up with earth-babble-dream-nectar
the nonsense of life
the wonder
road trip
we can travel together
kick back in the lap of a classic chevy ragtop
engine block roaring bold existence
soaring down huckleberry highways
the eyes of god spinning
and every loose strand of your ponytail
painting the desert blonde
we’ll hunt down all the blind spots
eyes too wide to have corners, we’ll find all the stuff
maps forget, scrap metal landmarks
lost truck stop civilizations, the grand madness of utah
we’ll decorate the dashboard like noah’s ark
with your collection of plastic pez dispensers
mickey mouse and donald duck, batman and mario
care bears, mermaids and yoda
i’ll laugh at your cheap toys, you’ll make fun of my ugly hat
we can bum-rush a million sideroads
or linger too long in time traveling roadside restaurants
jukebox juiced, shuffling dozens of yesterdays
eat hotdogs and watermelon in a winnemucca parking lot
pour bottled water over a broken radiator
in arizona heat waves
you can make a map
of cloud formations, i’ll navigate the radio
we can kill the static with philosophical gibberish
or sing along with hillbilly fiddles
scratching out lazy love songs
we’ll take shelter
in each other, and motel rooms too ugly for human words
take epic naps and ruin most of our clothes
in a piece of crap laundromat
we can witness the heartbeats of alien cities
i’ll admit I’m lost, and you can lead me
thru santa fe streets, explore the festival of summer
mingle in the heat of human nature, make totem poles out of
total strangers, drink the local wine and tell modern tales
of exodus and diaspora
we’ll pose like stay dogs
in tourist trap photographs, you all ragdoll beautiful
me in my ugly hat
we’ll merge in and out of uhaul caravans
in grapes of wrath formation
across the four dimensions of america
black and white and asphalt gray
you can crash in the backseat, paint your toenails
whatever color you want
we can vanish into blue mountains
the way all good expeditions do
a gospel of impulse
nothing but myth
and a trail of sunflower seeds
bowl of soup
“clear view
In the soup kettle…
The milky way”
issa (priest cup-of-tea of haiku temple)
first, the rice goes into the soup
then the fish
carrots, mushrooms, leeks
he stirs it with a stick
and the song that he sings, wordless and off key
goes into the soup
and the smoke of the fire, bits of drifting ash
whatever the wind brings along
wandering raindrops
the dust of earth and herb from a thousand plowed fields
into the soup
mountains crumble in his mind
become loose boulders rolling
become round and smooth and wise
some grind down to dust and wait for the next mountain to rise
some travel the valley
seventeen perfect pebbles roll within reach
go into the soup
the last drops of saki and a thread from his shirt, into the soup
he adds the vanishing memory of youth
all the leftover laughter of summer festival
drunk friends
all the footsteps that stumble
dew drops
nightingales
lonely cricket
into the soup and stirred with a stick
the spirits of scarecrow and firefly
the stars and the moon surrender to his gravity
fall into the soup
soup becomes universe
alive
he sits on the ground
(poet - highway - fire - soup)
he holds the bowl with both hands and takes little sips
the soup is hot
“that’s right, i’m just a lefthanded step-monkey”
hollywood ending
once upon a time
there was an original idea in hollywood
but it was a lonely soul
had no friends
it struggled to seen, struggled to be heard
as the accountants and investors always said no
(not lcd)
so it killed itself in a paper shredder
no one knows when or where and no one really cares
but tonight
we can watch the sequel
“the transendental cannibals”
a timelessly timeful film noir of space-age rom-com horror
or some such thing
it’s about this hollywood executive, who can’t boil water or cook salad, but he gets hungry, so he eats his feet, and then his legs, and then his own heart, then, slowly, turns to the camera, with a tear in his eye, and a quivering lip
and says
“dude... where’s my car?”
classic
its a movie camera pointed at a movie screen
with nothing inbetween
nothing (in focus)
its a picture inside a picture inside a picture inside a picture
ad infinitum
and oscar nominated for best picture within a picture (within a picture)(within a picture)((ad infinitum))(((plus sales tax)))
as the producers push it out the door and the actors do the celebrity tour, and the prom queens on the morning show sell it
but can’t spell it, and mattel makes the toys and tacobell serves it on a plastic tray
with plastic food
and so it goes
and hollywood burns itself down
and no one knows exactly how the lights will burn out
(and frankly, my friend, i don’t give a fuck)
but tonight
we can watch the prequel
warning! these true stories are based on loose lips, unshaved characters
scripture translated from crop circles, fast food menus
and all the stuff stuck to the bottom of my shoe
true story, every time i buy new shoes i have to learn to walk again
giggle and gimbal, stumble over curbs, each foot a conjoined stranger
the fun never ends
until it ends
flatfooted again
true story, i have no use for politicians, but that’s not true
sometimes i run out of toilet paper
true story, i’m not running for mayor of truth-town, i’m not managing
a health food store, i don’t sleep inside a fortune cookie
true story i see two moons tonight
one in the sky and one in the lake
and drunk enough to swim for it
true story, a man and a woman holding hands in a deli
pretending they’re not going to devour each other
true story, i wrote a dozen emails, all in my head, which has no wi-fi
so you probably didn’t get them
true story, i took the last trash bag from the box
and put the box in the bag
true story, i only sleep in pictures of beds
final warning! all these warnings may be hazardous
to the osmosis of spontaneous true story
true story, all these warnings were translated from chinese toaster oven safety labels with an industry standard garage sale ouija board
(caution! plug securely or power cord be detached in set
else crisscross wires, fix with fork and feel emergency
call god immediately, also, avoid soft drinks)
but let us not be warned
let immortal monkey gods deliver us onto random doorsteps
let us midnight snack a greasy half-burnt sunset, last supper of summer
let us creature around in secret vehicles under a suicide of blue sky
let us go all weather, all together
and forget to do our laundry
the electric guitar is the greatest steampunk contraption ever invented. i mean seriously, just look at it, have you ever seen anything so sexy? and they sound just as sexy as they look.
no two of these contraptions will ever sound the same, even identical models made in the same factory. every construction material affects the sound character. from the mahogany of the body to the maple of the neck to the rosewood of the fretboard. and every good carpenter knows no two pieces of wood are the same. even the paint and glossy finish affect the sound.
then, when you add a human being to the mix… wow. when you pick up a guitar and play it, you become part of the materials, your physical body. the sound energy moves thru you, the way you hold the pick (if you even use one) the way you finger each fret. everything is a factor. this device turns music and electricity and humanity into magic.
yes indeed, greatest steampunk invention ever.
pictured above is my schecter diamond series “half-breed” (a schecter demon neck bolted onto a schecter omen body)
this song – poem – thingy is called “neighborly”
so this is my second official demo, and i think i’m getting better at this.
i recorded all of the parts on thrusday, and arranged and mixed it all today. i am using only instruments i find in pawnshops:
the swingster i got for 350, and i playing it thru a marshall amp i got for 170. the ibanez gio bass was 120 and i’m playing it thru a fender rumble 25 bass amp i got for 60. the keyboard i got for 70 dollars, its so cheesy, i love it! and i play it thru a gorilla 35 bass amp that came with the swingster
i mic the amps into a 7 channel board and then into my computer and process it with free shareware called audacity
i wanted my guitar to sound like freddie king’s on his 1971 album “getting ready” i love that sound. i like punk and blues, i like buddy guy and rl burnside and that sort of thing, so i try to play like that in this. the swingster is perfect for that, to play it right you have to kind of pick a fight with it.
anyway– thursday afternoon groove (instrumental) demo
i have been hiding from the world for the last several months (i do that sometimes) hiding, planning, plotting and scheming. and what exactly have i been scheming? evil, pure evil… going down to the crossroads evil. that’s right, i went down to the crossroads, with an axe to grind, and here it is:
perhaps “evil” is the wrong word. perhaps “good natured mischief” are the words i’m looking for. and when i say crossroads, i mean the pawnshop on the corner mississippi and peoria.
i’m creating music to go with my spoken word poetry. this is something that i’ve wanted to do for a while now, and i’m only using instruments and gear that i find in pawnshops. i’m only using instruments that are orphaned and broken and lonely and need healing… like me. (pictured above is my epiphone swingster, my go-to git-fiddle, it has bad intonation and won’t stay in tune… like me)
this is all part of an artistic idea that i call “jalopyism” that i have been cultivating for many years now. if poetry is a vehicle of expression, then all of my vehicles are made from spare parts and repurposed materials, held together with nothing but spit, dirt, and duct tape, and just barely functional… like me. that’s the idea anyway.
when i was a teenager, i was a musician, i played guitar and bass (and some keyboards too i guess) i played in some garage bands, some punk bands, and even got to sit in with a jazz group a few times. i thought learning to play again would be like riding a bike, turns out it’s been more like riding a bull… i’ve gotten thrown off a few times, and i still have lots of work to do.
anyway, this is my first spoken word with music demo, it’s far from fantastic, but proof of concept, and i’m excited about all the possibilities (not only am i relearning my instruments, but learning how to use all this recording equipment and software… ready wish we had this kind of tech when i was kid! this stuff is awesome!)
this is called “seven dogs”
i sat in a beautiful wasteland
(ghostly and shadowed and burnt)
next to a wasting river
(waiting to hear the whimper)
eating my morning porridge
with my good friend joe
(he is wise and i am dumb
so i ask many questions)
and i say, "hey joe
if a venus flytrap eats another venus flytrap
does that make it cannibal
or vegan?"
and he said
"the ant and the anteater
play scrabble on tuesdays"
and then i said
"should i buy stock in general motors
forty a share and a one percent dividend
or should i buy a motorcycle
and ride it into the ocean?"
and he said
"to hell with plato
and the socrates he rode in on"
and then i said
"in pompeii
the citizens ran from total destruction
but smothered in hot lava
became fossils forever
today
we run straight into the flames
and take selfies
but who is more immortal?"
and joe said
"three wild horses
divided
by two fences"
and then i said
"poets priests and politicians
magicians and morticians and computer technicians
all love to play the guessing game
but will we ever understand the meaning of it all?"
and he said
"not with a million monkey typewriters"
and then i said
"master joe shoe
how come you only wear one shoe?"
and he said
"cause i wear it like a hat"
and then i said
"but none of this makes any goddamn sense!"
and master joe said
the painter paints a tree wherever he thinks a tree should be
the poet makes shade from the shady things in his head
the dancer spins around in the shade of imaginary things
fluttering like leaves
breeze or no breeze
together they drink fourteen drums of lollipop rum
play spanish guitar in back seat of a broke-down get-away car
with their eyes to the skies
believing each star a dream, a reality, a hope and a tragedy
gravity or no gravity
and with a wink and a smile he rose to his feet
and walked to the edge of the never-ending river
to wash his bowl
i follow
poem notes: this poem is loosely based (very loosely) on the sayings of chinese zen master chao-chou (also known as master joshu) also, in japanese, the term “joshu” means teacher or guide.